A tragic hero is a character in a dramatic tragedy who has virtuous and sympathetic traits but ultimately meets with suffering or defeat. Therefore, the ideal tragic hero should be basically a good man with a minor flaw or tragic trait in his character.
The entire tragedy should issue from this minor flaw or error of judgment. The fall and sufferings and death of such a hero would certainly generate feelings of pity and fear. Begin typing your search term above and press enter to search. Press ESC to cancel. Research Paper.
Ben Davis February 28, What do you like about Hamlet? Who is Fortinbras? Was Hamlet really in love with Ophelia? Why does Hamlet encourage the actor to recite the speech about Pyrrhus and Priam?
Does Hamlet consider suicide? Why is Hamlet so cruel to Ophelia? Why does Ophelia go mad? Does Ophelia actually kill herself? If there ever was a more re-appropriated and misappropriated! This is arguably the most fundamental question for any mortal, and one which we — Hamlet readers and non- Hamlet readers alike, have probably asked ourselves at some point in our lives.
Why do we carry on living, he asks, despite the obvious suffering that living causes? Living, it seems, comes with an unpleasant buffet of being oppressed, insulted, ignored, thwarted and spurned. But then, an equally important question arises:. What is death?
In the motley of analogy , asyndeton , anadiplosis , chiasmus and anaphora that the first two lines alone contain, Shakespeare conveys the curious paradox of life being more similar to, than different from, death, despite our conventional urge to contrast them as polar opposites in human experience.
To die: to sleep; To sleep: perchance to dream:. To sleep: to die; To die; perchance to dream:. But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all. Ironically, our tragic prince is troubled by the one quality that makes him so fascinating, so human and so relatable — his very likeness to ourselves.
In the final scene of the play, Hamlet and Laertes face it off in a duel, instigated by King Claudius. It is also one of the moments in which we see Hamlet at his most profound; he graduates from being an anxious, borderline schizophrenic dawdler, to a more mature and stoic man at the apex of his princely stature.
If your mind dislike any thing, obey it: I will forestall their repair hither, and say you are not Fit. At this point, Hamlet has done enough thinking to warrant throwing caution to the wind; he is literally dying to take action by now.
Who does it, then? This, surely, is linguistic virtuoso at play. He asks for forgiveness, but has already exonerated himself anyway.
Comment below with your thoughts on Hamlet the character and Hamlet the play! You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Youtube Instagram. Search for: Close.
0コメント